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Drawing theoretically on how cosmopolitan practices are constituted within discursive and structural contexts, this thesis analyses how Malay film music covertly expressed radical ideas despite being produced within a commercial film industry. Tidak jauh This study conceptualizes how a crucial component of Malay ethno-national culture had also emanated from the cosmopolitan musical aesthetics of Malay films. All of the Malay Peninsula films from the s to mids were made in Singapore, and after the mids most of these films were made in Kuala Lumpur, the capital city of 6 Despite the granting of Malayan independence in , Malay films released past independence were made in Singapore, which was still a British Straits Settlement colony. Heather Wiebe was indispensible in her insightful!

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